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Jonathon Lynch

JONATHON LYNCH is a fellow at the New York Public Library for the Performing Arts for his work writing music for “The Carousel of Inevitability and Certain Foreboding” (with Varod and Freeman). He also wrote "The Baroque Cycle" (best score nominee and best singer winner, New York Theatre Festival), "Peter and the Pied Piper" (with Hepp-Galvan, Lincoln Center), and "Again and Again and Again" (with Varod, development fellowship winner, Unsung Musicals Co). Other material includes the score to the award-winning webseries "NewB", the incidental music for "Between Panic and Desire" (Players Theater), and the original soundtrack for the video game "Elimination." His music has also been performed at Joe's Pub, NYTB, New World Stages, and 54 Below. Jonathon is the creator of the award-winning "Bite-Sized Broadway: A Mini Musical Podcast.” He was the music director of "Micro-Face: The Musical" (NPR's “Planet Money”), copyist/assistant music director for "Finding Neverland" (pre-Broadway NY workshop), music director/arranger for "The Giant Hoax" (Theatre Row), and music director/dance arranger for "The City Club" (Minetta Lane). An alum of Northwestern University and the BMI Workshop, Jonathon is currently music directing faculty at AMDA & 92NY, and a writer in Theatre Now New York Writer's Lab.

Jonathon Lynch

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Our office is on the original homeland of the Munsee Lenape tribal nation. Theatre Now acknowledges the painful history of genocide and forced removal from this territory, and we honor and respect the many diverse Indigenous peoples still connected to this land on which we and our artists live and work.

 

As an organization and as artists, we often gather in virtual space. Take a moment to consider the legacies of colonization embedded within the technologies, structures, and ways of thinking we use every day. We are using equipment and high-speed internet not available to all communities. Even the technologies that are central to much of the art we make leave significant carbon footprints, contributing to changing climates that disproportionately affect indigenous peoples worldwide. Theatre Now invites you to join us in acknowledging all this as well as our shared responsibility: to make good of this time, and for each of us to consider our roles in reconciliation, decolonization, antiracism, and allyship.

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