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Jonathon Lynch, composer
Holly Hepp-Galvan, book and lyrics

Comedy, Political, Theatre For Young Audience

Peter and the Pied Piper

Watch out! When the Piper comes to town, he’s so cool that all the kids want to follow him. However, Peter doesn’t like the Piper’s mean-spirited music. Does that make him a “loser”? And when he meets Julius Cheeser, the last rat in town, he must decide for himself what he believes in.

CAST

Ideal Cast Size:

12

Cast Size Options (min to max):

12

-

22

Female:

6

Male:

6

Non-binary:

Any gender:

4

1

Notes on Casting:

Stage of Development:

The piece has had multiple readings and/or workshops

Seeking Further Development Support:

Full Production

Prior Developmental/Production History:

Developed through Gallery Players Overtures New Works Series, 2017.

Performances at the Lincoln Center's Summerfest Series, 2022.

Performances at Long Island Children's Museum, 2022.

Next Steps:

This show is ready to be performed!

External Links for Show Website or more info:

Listen to music tracks:

Ode To Cheese

BIOS

HOLLY HEPP-GALVÁN

Dylan MarcAurele.webp

HOLLY HEPP-GALVÁN holds an M.F.A. in Playwriting from Hunter College and was a 2022 FutureFest Finalist and a runner-up for the 2021 Jackie White Memorial National Playwriting Contest. Her plays for adults and young audiences have been produced in theaters all over the country.

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Land Acknowledgement

 

Our office is on the original homeland of the Munsee Lenape tribal nation. Theatre Now acknowledges the painful history of genocide and forced removal from this territory, and we honor and respect the many diverse Indigenous peoples still connected to this land on which we and our artists live and work.

 

As an organization and as artists, we often gather in virtual space. Take a moment to consider the legacies of colonization embedded within the technologies, structures, and ways of thinking we use every day. We are using equipment and high-speed internet not available to all communities. Even the technologies that are central to much of the art we make leave significant carbon footprints, contributing to changing climates that disproportionately affect indigenous peoples worldwide. Theatre Now invites you to join us in acknowledging all this as well as our shared responsibility: to make good of this time, and for each of us to consider our roles in reconciliation, decolonization, antiracism, and allyship.

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