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Henco Espag

NY

Henco Espag is a South African–born composer, pianist, orchestrator, conductor, and music director whose work spans concert music, theatre, and film. He holds a B.Mus in Film Scoring from Berklee College of Music, where he received the Georges Delerue Scholarship for Outstanding Achievement in Film Scoring, and an MFA in Musical Theatre Writing from New York University. He is also a two-time recipient of the South African National Arts Council bursary. As a film composer, orchestrator, and sound designer, Henco’s credits include The Runner from Ravenshead (Little Crew Productions) and the ASL queer musical short Disconnected, created with writer and director Dickie Hearts. His music has been performed internationally, including appearances at the World Choir Games in Xiamen, China, and the National ATKV Choir Competition in Cape Town, South Africa. Henco’s piano works—Herinneringe, Mistieke Feetjies, and the forthcoming Spaanse Kerjakker en Rinkink—have been premiered and recorded by Yamaha Artist James Adler on award-winning Albany Records releases. With collaborators Briana Harris and Andi Lee Carter, he is developing the new musicals Pompeii Rising and Tyromancy: Live. An active music director, he develops new musicals in New York City and previously served as Resident Music Director at Surflight Theatre. He served as Artistic Director of the Philadelphia Freedom Band and is currently the Artistic Director of the Queer Big Apple Corps Symphonic Bands. He also serves as Music Director of Judson Memorial Church and as a member of the music faculty at Saint Peter’s University. Henco lives in Brooklyn with his partner, Saul, is an avid traveler, collector of colourful shoes, LEGO fanatic, and celebrates life in full colour, sparkles, and sequins.

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Our office is on the original homeland of the Munsee Lenape tribal nation. Theatre Now acknowledges the painful history of genocide and forced removal from this territory, and we honor and respect the many diverse Indigenous peoples still connected to this land on which we and our artists live and work.

 

As an organization and as artists, we often gather in virtual space. Take a moment to consider the legacies of colonization embedded within the technologies, structures, and ways of thinking we use every day. We are using equipment and high-speed internet not available to all communities. Even the technologies that are central to much of the art we make leave significant carbon footprints, contributing to changing climates that disproportionately affect indigenous peoples worldwide. Theatre Now invites you to join us in acknowledging all this as well as our shared responsibility: to make good of this time, and for each of us to consider our roles in reconciliation, decolonization, antiracism, and allyship.

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