top of page
Martine Kei Green-Rogers.jpeg

Back to Industry Q&A Series Page

About

Martine Kei Green-Rogers​

 

MARTINE KEI GREEN-ROGERS obtained her PhD from the Department of Theatre and Drama at the University of Wisconsin-Madison. Prior to studying at UW-Madison, she received her B.A. in Theatre from Virginia Wesleyan College and her M.A. in Theatre History and Criticism from The Catholic University of America.

 

Her dramaturgical productions include: The Greatest with the Louisville Orchestra, Classical Theatre Company’s productions of Miss Julie, The Tempest, Uncle Vanya, The Triumph of Love, Antigone, Candida, Ghosts, Tartuffe, and Shylock, The Jew of Venice; productions of Radio Golf, Five Guys Named Moe, Blues for an Alabama Sky, Gem of the Ocean, Waiting for Godot, Iphigenia in Aulis, Seven Guitars, The Mountaintop, Home and Porgy and Bess at the Court Theatre (Chicago, IL); productions of Fences and One Man, Two Guvnors for the Pioneer Memorial Theatre; The Clean House at CATCO (Columbus, OH); Hairspray, The Book of Will, Shakespeare in Love, Hannah and the Dread Gazebo (Research Dramaturg), UniSon (Asst. Dramaturg),The Comedy of Errors, To Kill A Mockingbird, The African Company Presents Richard III, A Midsummer Night’s Dream, Fences and the Play on! project translations of Comedy of Errors and The Two Noble Kinsmen for the Oregon Shakespeare Festival (Ashland, OR); 10 Perfect and The Curious Walk of the Salamander as part of the Madison Repertory Theatre’s New Play Festival, and A Thousand Words as part of the WI Wrights New Play Festival.

 

Some of her publications include the article "Talkbacks for ‘Sensitive Subject Matter’ Productions: The Theory and Practice" in the Routledge Companion to Dramaturgy, “A New Noble Kinsmen: The Play On! Project and Making New Plays Out of Old” in Theatre History Studies and “The Dramaturgy of Black Culture: The Court Theatre's Productions of August Wilson's Century Cycle” in On Dramaturgy: Unpacking Diversity and Inclusion, Case Studies From the Field. She also was the adaptor of the Kennedy Center’s World Premiere of Jason Reynolds’ Long Way Down.

 

She is the Fellowship Associate for the Playwrights’ Center in Minneapolis for the 2020-2021, and 2021-2022 seasons. She is the Interim Dean for the Division of Liberal Arts at UNCSA. Her research interests include violence in African American Theatre, African diaspora theatre, gender and race in American theatre, and issues of sustainability in the theatre.

 

She is a proud member of the Association for Theatre in Higher Education (ATHE) and is Past-President of the Literary Managers and Dramaturgs of the Americas (LMDA).

Kim Euell

​​Call us:

212-845-9824

Box Office:  

855-254-7469

Theatre Now New York is a non-profit 501(c)(3) charitable organization.

Production Office:

520 Eighth Avenue, Suite 305, New York, NY 10018

© 2024 by Theatre Now New York, Inc.

All Rights Reserved.

Land Acknowledgement

 

Our office is on the original homeland of the Munsee Lenape tribal nation. Theatre Now acknowledges the painful history of genocide and forced removal from this territory, and we honor and respect the many diverse Indigenous peoples still connected to this land on which we and our artists live and work.

 

As an organization and as artists, we often gather in virtual space. Take a moment to consider the legacies of colonization embedded within the technologies, structures, and ways of thinking we use every day. We are using equipment and high-speed internet not available to all communities. Even the technologies that are central to much of the art we make leave significant carbon footprints, contributing to changing climates that disproportionately affect indigenous peoples worldwide. Theatre Now invites you to join us in acknowledging all this as well as our shared responsibility: to make good of this time, and for each of us to consider our roles in reconciliation, decolonization, antiracism, and allyship.

bottom of page